Below are the complete details for Kitchie Nadal's technical needs.
Please use it as reference. Thank you.

ENTOURAGE
Anna Katrina Nadal – Vocals / Guitars
Jack Ruffo– Lead Guitars
Jeff Lima – Drums
Mike Baya – Bass
Rachael Cruz – Manager
Dongel – PA

STAGE REQUIREMENTS:

DRUMSET must be a complete 5 piece standard set with cymbals.
It should be in good condition. Preferred models are as follows:

- YAMAHA Maple Series
- DrumWorkshop
- Premier
- Sonor
- Tama
- Ludwig
- Pearl

SPARE SNARE DRUM, one (1) unit for back up.

BASS AMP must be in very good condition.
Minimum of 200 watts with preferably a 4x10 cabinet & a 15 inch speaker.
Preferred models are as follows:

- David Eden World Cup Bass Series
- SWR Triad 1
- TRACE ELLIOT AH350SMX
- Marshall 7400 Dynamic Bass Amplifier
- Ampeg SVT400TH
- Peavey Data Bass 450

GUITAR AMP must be in very good condition. We will need 2 units.
Take Note that each guitar amp should be different from each other.
Minimum of 100 watts each. Preferrably 1 should be a 4x12 the other 2x12.
Preferred models are as follows:

- MesaBoogie Triple Rectifier Rectifier
- Marshall JCM 900 Classic Series
- Marshall JCM 2000
- Fender Twin
- VHT G-100-S Pitbull
- Peavey 5150

INSTRUMENT CABLES

1. 20’ unbalanced cable/PL 3 units
2. 30’- 50’ unbalanced cable 3 units

220 VAC LINES

1. 2 on each guitar set-up to be used 4 guitar FX processors / wireless systems.
   20’ extension cord should also be provided on each set-up.
2. 2 on bass set-up to be used 4 FX processors / wireless systems.
   A 20’ extension cord should also be provided.

PA SYSTEM REQUIREMENTS

1. The PA system must be sufficient enough to provide a loud & clear Stereo sound for the venue; *At least 8000 watts 4 Small Venues (e.g. Clubs, Enclosed Gymnasiums, Theatres) & At least 10,000 watts 4 big venues.
2. For every 2 pairs of Mid / Hi Speakers. There should be a pair of Subwoofers. To be assigned through an available Aux. Send then to a crossover going to it’s respective amps.
3. FOH Mixer should have at least 24 XLR inputs, 6 Aux. Sends, 4 Sub Groups, & PFL / SOLO capabilities on each channel.
4. At least 2 FX Processors & 3 Dual Compressor / Limiter. Should be on hand to be used upon the discretion of the Sound Engineer.
5. If possible add 2 CD Players for pipe in music

MIXER CHANNEL ASSIGNMENTS/PREFERRED MICS/STANDS

MONITOR MIXES
For Small Venues we require at least 3 mixes to be set-up as follows (see LAYOUT 1).

Aux.1 - INST. monitors (2 boxes)
Aux.2 - Center monitors (1 box)
Aux.3 - Drum monitors (1 box)
Aux.4 - Subs
Aux.5 - FX Send # 1
Aux.6 - FX Send # 2

Note:
All monitor mixes should pass through it’s own independent 31 band Equalizer,
Then through it’s respective Power Amps.

FOR BIG VENUES we require at least 7 mixes.
To be run through another mixer at the side of the stage,
Which will serve as a monitor bay to be used by the assigned monitor engineer (see LAYOUT 2).

Aux.1 - SR Monitor (2 boxes)
Aux.2 - Center (2 boxes)
Aux.3 - SL Monitor (2 boxes)
Aux.4 - Drum Monitor (1 box)
Aux.5 - Drum Monitor #2 (1 box)
Aux.6 - SideFills Right (at least a pair of 3 way Speakers)
Aux.7 - SideFills Left (at least a pair of 3 way Speakers)
Aux.8 - FX Send #1
Aux.9 - FX Send #2
Aux.10 - FX Send #3

1. All monitor mixes should pass through it’s own independent 31 band Equalizer
   Then through it’s respective Power Amps.
   
   
2. 3 Dual Channel Compressor / Limiters & 3 FX Processors should be handy,
   To be used upon the discretion of the monitor engineer.
   
   
3. There should be at least 1 but preferably 2 monitor boxes,
   To be used by the monitor engineer for his monitoring purpose
   
   
4. Due to the fact that there is already an monitor board,
   We will be requesting for 4 FX Processors at the FOH Mixer
   
   
5. The monitor board should have PFL / SOLO capabilities on each channel,
   And should have all stage signals connected into it just like the FOH BOARD.

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